Bluest Eye Essay Pecola

Bluest Eye Essay Pecola-53
She rolls down the window to tell my sister Frieda and me that we can't come in.We stare at her, wanting her bread, but more than that wanting to poke the arrogance out of her eyes and smash the pride of ownership that curls her chewing mouth.

She rolls down the window to tell my sister Frieda and me that we can't come in.We stare at her, wanting her bread, but more than that wanting to poke the arrogance out of her eyes and smash the pride of ownership that curls her chewing mouth.

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Grown-ups talk in tired, edgy voices about Zick's Coal Company and take us along in the evening to the railroad tracks where we fill burlap sacks with the tiny pieces of coal lying about.

Later we walk home, glancing back to see the great carloads of slag being dumped, red hot and smoking, into the ravine that skirts the steel mill.

Bourn The Bluest Eye (1970) is the novel that launched Toni Morrison into the spotlight as a talented African-American writer and social critic.

Morrison herself says “It would be a mistake to assume that writers are disconnected from social issues” (Leftover).

Just when I think I will tip over into a scream, she scoops out a little of the salve on her forefinger and puts it in my mouth, telling me to swallow. I am covered up with heavy quilts and ordered to sweat, which I do, promptly.

Later I throw up, and my mother says, "What did you puke on the bed clothes for?The dying fire lights the sky with a dull orange glow.Frieda and I lag behind, staring at the patch of color surrounded by black. The others are braced in darkness, peopled by roaches and mice.She received the National Book Critics Circle Award, the Pulitzer Prize, and in 1993 she was awarded the Nobel Prize in Literature. Nuns go by as quiet as lust, and drunken men and sober eyes sing in the lobby of the Greek hotel.Rosemary Villanucci, our next-door friend who lives above her father's cafe, sits in a 1939 Buick eating bread and butter.It is impossible not to feel a shiver when our feet leave the gravel path and sink into the dead grass in the field. Adults do not talk to us — they give us directions. When we trip and fall down they glance at us; if we cut or bruise ourselves, they ask us are we crazy.When we catch colds, they shake their heads in disgust at our lack of consideration. Get some rags and stuff that window."Frieda restuffs the window. I lie down in my underwear, the metal in the black garters hurts my legs, but I do not take them off, because it is too cold to lie stockingless.So precise, so faithful to speech and so charged with pain and wonder that the novel becomes poetry.” —The New York Times“A profoundly successful work of fiction. Portrait of a Victim: Toni Morning’s The Bluest Eye Bryan D.How, I wonder, can it be so neat and nasty at the same time? She wipes it up as best she can and puts a scratchy towel over the large wet place. The rags have fallen from the window crack, and the air is cold. ." I doze, thinking of plums, walls, and "someone."But was it really like that? Love, thick and dark as Alaga syrup, eased up into that cracked window.I dare not call her back and am reluctant to leave my warmth. She sings to me: "When the deep purple falls over sleepy garden walls, someone thinks of me. I could smell it — taste it — sweet, musty, with an edge of wintergreen in its base — everywhere in that house.


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