Bram Stoker Dracula Thesis

Bram Stoker Dracula Thesis-54
by Bram Stoker set the scene atmospherically and build the feeling of fear steadily through a combination of themes which were feared in Victorian times.Gothic literature was a new and exciting concept for the...

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In periods of cultural insecurity, when there are fears of regression and degeneration, the longing for strict border controls around the definition of gender, as well as race, class, and nationality, becomes especially intense. The title character in Bram Stoker's "Dracula" is a sexually perplexing figure.

Nietzche wrote of a creative being called the "berman", or "superman".

In the first fifteen chapters of Bram Stoker’s Dracula the author examines and subtly comments on the role of women in Victorian England through the actions and words of Mina and Lucy.

In particular, evidence from the passage that appears on pages...

In Bram Stoker’s Dracula, the title character is omnipresent.

To the protagonists of the novel, the difficulty of escaping his power and ultimately defeating him is often overwhelming because he is always with them in some way, shape, or form....

This chapter from the novel ‘Dracula’ by Bram Stoker includes an abundance of conventions typical of the Gothic genre, primarily employed here through Stoker’s characterisation of Johnathan Harker, Count Dracula and the three seductive women....

The Gothic is undeniably intertwined with transformative states, both literally, such as with the presentation of supernatural beings that lie between life and death, and also thematically, with the idea of transitional time periods and settings....

The presentation of the Gothic has spanned the centuries, gripping each and every reader with its dastardly plot and unsuspecting victims.

The Castle of Otranto, written in 1764 by Horace Walpole, ‘is generally regarded as the first Gothic novel’...

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