Early Essay Literature Modern Shakespeare

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These developments are studied through the analysis of representative texts either in English (e.g. Condé’s Windward Heights) Teaching Mode: 3-hour seminar, including lecture-type input from the tutor.Nineteenth and twentieth century American literature sought to define the nation in the face of the fragmenting effects of modernity and postmodernity.

These developments are studied through the analysis of representative texts either in English (e.g. Condé’s Windward Heights) Teaching Mode: 3-hour seminar, including lecture-type input from the tutor.Nineteenth and twentieth century American literature sought to define the nation in the face of the fragmenting effects of modernity and postmodernity.This core module for the 'Romantic and Victorian Literature and Culture' pathway of the MA in Comparative Literary Studies examines the current debate in nineteenth-century studies about connections between Romantic and Victorian literature and the persistence of a Romantic tradition throughout the century.

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The version of America that emerges from this literature – and in fact what makes this literature representative of that version of nation – depends very much on how it is read.

Via competing readings of canonical American texts, this core module for the ‘American Literature & Culture’ pathway investigates how American critical and theoretical conceptions shape American literature, producing different “Americas”.

We will be reading the novels alongside both literary-critical constructions of postmodernism(s) and broader theoretical accounts of postmodernity.

The aim of the module is not to isolate a definition of ‘postmodernist fiction’ through which the novels should be read, but rather to explore a range of sometimes contradictory theoretical paradigms and textual practices.

Beginning with the examination of shifting ideas and theories of the ‘literary’ in the module of the discipline’s development, it goes on to explore ten key thinkers and tendencies, starting with Nietzsche.

These will include Freud, Heidegger, Merleau-Ponty, Benjamin and Adorno, Structuralism, Blanchot, Derrida, Gender and Postcolonial Theory. Auden, Walter Benjamin, William Faulkner, Primo Levi, Albert Camus, Jean-Paul Sartre and Virginia Woolf.Historical relationships and how these are constructed will be examined, focussing on the idea of tradition, the concept of the canon and its revisions, as well as the importance of literary history in our understanding of literature. The module will ask questions such as: what happens to a text and its meaning when it is adapted to or referenced in a new geographical, historical, or social context?The literary texts and films studied will enable you to study “in action” central concepts of comparative critical practice, focussing for instance on genre; topoi; thematic approaches; textual rewritings; “translations” of texts to different genres (e.g. What does this mean for the concept of meaning itself?This option focuses on the analysis of key novels published between 19.Disparate in many ways, the texts are united by their frequent placement within the flexible category of international ‘postmodernism’.In each seminar we will compare texts from both periods on the basis of genre and theme, and examine the ways in which individual texts relate to, derive from, or influence other texts.We will study the intense reactions to the deaths of the Romantic poets in the 1820s, shaping the early careers of writers who would later be read as Victorian; responses to the textual and material relics of the Romantic poets as a cliché of Victorian tourism; Wordsworth’s insistence on portraying simple people and rural life, and his influence on the novels of Eliot and Hardy; a revolution in literary language; gender and class identities and conflicts; versions of social and political radicalism in the wake of the French Revolution; publication in a changing literary marketplace; popular genres such as Gothic and sensation fiction.We will relate English literature to its global context, exploring conceptions of nationalism and democracy in relation to cosmopolitanism, the construction of Europe in the nineteenth century, philhellenism, Orientalism and imperialism.Much of the most significant and powerful contemporary fiction in English is written by those who come, or whose families have come, from outside the metropolitan and erstwhile imperial centre.This core module for the pathway in ‘Modern Literature’ surveys the most internationally significant trends, influences, and movements in European and American literature of the twentieth century (and potentially beyond), including the impacts of Bergson and Nietzsche, the ‘prophetic’ role of the modern poet, challenges to Realism, the schools of Expressionism, Surrealism, and Absurdism, the modernist disruption of literary conventions, aspects of writing on the Holocaust, and the emergence of poststructuralism, OULIPO and postmodernism. We are interested to trace the developments within the forms of literary and artistic expression examined, to show how literary texts, forms and genres veered between consolidation and experimentation from beginnings marked by the slave narrative, a preoccupation with history and memory and a close affinity with the aural/ oral, and to further explore some of the determining forces which underpinned the transformations of the literatures.These developments are studied through the analysis of major representative texts either in English (e.g. We seek to trace the influence, and textual embodiment of intellectual and cultural developments in the region’s literature and that of its diaspora including the impacts of Colonialism, post-Colonialism, Negritude, and Globalisation.

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  • Conceptions of Love and Death in Early Modern Literature
    Reply

    In closing with this essay, we have in some ways returned to the beginning in ideas of love, death, re-birth and self-sacrifice. Each of the essays that follows offers a time and culture-specific re-reading of early modern literature that re-imagines death in the light of love and love in light of death.…

  • Shakespeare’s Influence on Modern English & Pronunciation
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    To form new words, word-formation processes started to be productive mainly during the Early Modern English period. According to the Oxford English Dictionary, there are 357 instances where Shakespeare is the only recorded user of a word in one or more of its senses.…

  • English Classical, Medieval, & Early Modern Literature Emphasis.
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    The Bachelor of Arts in English with an emphasis in Classical, Medieval, and Early Modern Literature is recommended for students interested in a broad background in the humanities and for those interested in obtaining a firm foundation for further study in graduate school.…

  • Early Modern Commons Early Modern Conferences
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    Recent CFPs from early modern blogs for upcoming conferences, seminars, workshops and similar events that are likely to be of interest to early modernists page only includes CFPs posted within the last few weeks; for older posts, you'll need to search the post categories try "conference", "cfp", etc.…

  • English 630.001 Early Modern Literature Shakespeare's Sonnets
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    Argument and in the creation of modern editions of the sonnets. Required texts Shakespeare's Poems, ed. Bevington Castiglione, The Courtier, trans. and intro. George Bull Love's Labour's Lost in Three Early Comedies, ed. Bevington Merchant of Venice, ed. Bevington Shakespeare's Sonnets Critical Essays, ed. Schiffer abbreviated SSCE…

  • Shakespeare and Modern Culture,' by Marjorie Garber
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    The premise of this book is simple and direct Shakespeare makes modern culture and modern culture makes Shakespeare. I could perhaps put the second "Shakespeare" in quotation marks, so as to.…

  • Shakespeare's influence on modern literature - British Council
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    As Julie meets with descendants of the families of Shakespeare's legendary blood feud, she learns that the curse 'A plague on both of your houses' is still present in modern-day Siena and learns that she is the next target.…

  • Shakespeare’s Sonnets A Note on the Pronunciation of Early Modern.
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    Modern readers of Shakespeare's sonnets may be unjustifiably disturbed by oddities in the poet's rhymes. In sonnet 10, for example, the poet rhymes the word love with prove, and in sonnet 145 he rhymes come with doom.…

  • Understanding Shakespeare The Merchant of Venice, by Robert A. Albano.
    Reply

    In "The Merchant of Venice" Shakespeare plays with the concepts and conventions regarding protagonists and antagonists; and like "Julius Caesar," the title character is not actually the central figure of the play. In fact, Shakespeare’s merchant, Antonio, is more of a plot device, a bit part, rather than a major role in the work.…

  • EARLY MODERN LITERATURE - 2019/0 - University of Surrey
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    Both the essay and the exam assess subject knowledge in Early Modern literature and ideas of identity as well as theoretical/critical methodologies; cognitive/analytical skills in in using critical material and theoretical concepts in relation to close textual analysis and critical thinking; transferable skills in communicating ideas in written.…

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