Consequently, Poe's theory about the length of the work of art — "to be read in one sitting" and no more than "half an hour" — has influenced many subsequent writers.
In terms of Poe's actual practice of writing literature, the reader or critic can deduce certain principles that Poe himself never set down, but that he practiced again and again as an author.
One can see, however, that the literary principles that Poe employed in writing his own detective stories, in large part, are universal principles that apply to a major portion of all detective fiction being written today.
Poe also wrote about the unity of effect, but he never wrote about the use of a closed environment, per se, to achieve that unity of effect.
As an editor of a magazine, Poe's views on literary criticism were influenced by the nature of the short works of art that would appeal to the magazine-reading public.
But irrespective of his journalistic position, his critical views on the nature of what was and was not acceptable in a work of art have become famous and have had an enormous influence on subsequent writers.Some of Poe's theories may seem, at times, to be out of style when one compares them with the current theories of no form at all, or nonobjective writing, but as long as Romantic literature is read, Poe's critical theories and principles will continue to be important.Removing #book# from your Reading List will also remove any bookmarked pages associated with this title.Edgar Allan Poe is considered to be America's first significant literary critic or, at least, the first major writer in America to write seriously about criticism, about the theory of composition, and about the principles of creative art.He was also the first to set down a consistent set of principles about what he thought was acceptable in art and what should be essentially rejected in art.For Poe, satire could create no sense of the beautiful within the reader.And also, much of eighteenth-century literature is epigrammatic (something short), and Poe believed that the epigrammatic approach to art could not create a lasting emotional impression within the reader. in the construction of the effect" ("Philosophy of Composition"). Melancholy is thus the most legitimate of all the poetical tones." As a result of these views, Poe felt that the most effective subject for a work of art was the death of a beautiful young lady; this is perhaps Poe's most famous and most often repeated dictum, and, furthermore, to achieve the greatest amount of emotional melancholy, the death of the beautiful young lady should be expressed by the lips of the bereaved lover.For example, Poe was the first major, or influential, writer to recognize the genius of Nathaniel Hawthorne. From these cited works, we can easily compile certain key principles that Poe consistently believed in and used.In his review of Hawthorne's Twice-Told Tales, Poe says that "Mr. These include his emphasis on (1) the unity of effect, (2) his rejection of allegory and didacticism, (3) the epic poem's being a non-poem, (4) the brevity of a work of art, (5) the appeal to the emotions, (6) the ideal subject matter for art, and (7) the importance of emotional responses; in addition, each of these separate ideas is closely associated with the others.Are you sure you want to remove #book Confirmation# and any corresponding bookmarks?Poe’s essays, as we have said in this blog, are enlightening.