Essays On Strictly Ballroom

There’s no doubting his character’s officiousness, bluster and connivance; Baz Luhrmann’s and Craig Pearce’s book offers Fife a glorious smorgasbord of acting choices.This version of the character has more in common with a pantomime dame than a petty-minded official intent on retaining control.There’s ‘ballroom’ in the title, so dance is a primary element of this piece.

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Shirley Hastings, golden-boy Scott’s adoring mother, and Ballroom Association President Barry Fife, are both larger than any known life-form.

As Shirley, Carolyn Adams’ performance energy is prodigious, and her dance-mum-from-hell looks wonderful.

Baz Luhrmann’s charming rebellious-ugly-duckling allegory started life on stage as a play, then became a film.

Its transformation into a successful music theatre piece was aided by a patchwork of music, augmented and stitched together by Eddie Perfect. Baz Luhrmann’s charming rebellious-ugly-duckling allegory started life on stage as a play, then became a film.

Its transformation into a successful music theatre piece was aided by a patchwork of music, augmented and stitched together by Eddie Perfect. We see Australians, using our language, speaking in our accents, and behaving within our cultural values. Not all music theatre is performed with an American accent.

It’s good to see Strictly Ballroom being done for all these reasons.Amassing a cast of 26, including himself, Matt Byrne has produced, directed and designed this show. His design is multi-purpose and economic, considering the limited space of the Arts Theatre.However, if his design had been a little less literal and more referential, scene changes could have been less sluggish.For the magnificence of the spectacle, Ann Williams (Costume Designer, Creator and Co-ordinator) and Sue Winston (Wardrobe Supervisor), please take a bow! Company choral numbers were a trial, with ragged entries, wayward harmonies, and under-powered, audibly puffed-out singers. You need to be able to do the acting, the singing and the dancing… It seems that, in comparison to the dance component, singing was sadly under-rehearsed.Those good, hard-working performers on stage simply needed more help with their singing.We get it – there’s no need for her character to do so much to contrast with her quiet, subservient husband Doug.President Fife is the possessor of a whining angle-grinder voice; it’s tough on his vocal folds and our ears.Group ballroom numbers are well-staged and have a tidy finish.Costumes are, of course, a huge part of ballroom dancing, and the after-five section of Spotlight seems to have been appropriated in order to clothe the cast.Lauren Weber, as Liz Holt, the spurned dance partner, has fun spitting extravagant vitriol.Joel Amos, who clearly swigs teeth whitener regularly, creates such an archetypal ballroom character in his portrayal of Ken Railings, that his character beams across the footlights.

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