Feminist Criticism Essay Introduction

Feminist Criticism Essay Introduction-12
Rene Denfeld, in her critique of second wave feminism, , bears this out when she points out that while the next generation has problems with the epithet ‘feminist’, they have no problem supporting the principles of equal pay and educational opportunities (Denfeld 1995: 4).For Denfeld this change from broad support of feminism to scepticism and alienation is a response to a change in the terms of second wave feminism itself: ‘It has become bogged down in an extremist moral and spiritual crusade that has little to do with women’s lives. feminism has become as confining as what it pretends to combat’ (Denfeld 1995: 5).The critic is interested in what a text does to the reader, and what the reader projects into the text.

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The ‘post’ is not the end of feminism: actually feminism is constantly to be picked over only to be rapidly set aside again or dismissed as old hat.

For Myra Macdonald, ‘post-feminism takes the sting out of feminism’ (1995: 100); it removes the politics and claims the territory of self-empowerment.

Brooks herself acknowledges the way post-feminism is associated with a negative portrayal of feminism in the mass media – particularly in the way the rhetoric of post-feminism is summoned in the backlash against feminism (see also Faludi 1992).

One of the reasons it is argued that the move to post-feminism is essential is because of the influence of postmodern thinking which refuses the ‘grand narrative’ of gender difference, so that it becomes increasingly impossible to lay claim to the identity ‘woman’, because of the impact of ‘difference’ theories and the contestation of knowledges about how ‘woman’ is constructed.

Given that a brief scrutiny of our current social formation does not support this view, we might, however, imagine that a post-feminist position is one formulated due to dissatisfaction with existing feminist politics and is to be located in an entirely new area or set of propositions altogether.

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Part of this dissatisfaction might be an awareness that even in its heyday, second wave feminism did not achieve its aim of speaking to the majority of women.She reflects that rather than ‘post’ meaning going beyond or breaking with, in these contexts it means ‘a process of ongoing transformation and change’ (Brooks 1997: 1).Other kinds of ‘rebranding’ for feminism of course include the use of ‘third wave’ feminism where again the prefix is used to imply key shifts in the meaning of ‘feminism’ itself and in this theoretically-informed definition of post-feminism there might be seen to be common ground between third wave and post-feminism, although third wavers would certainly reject any suggestion that feminism is over.It has climbed out on a limb of academic theory that is all but inaccessible to the uninitiated . Denfeld is pointing to widely aired anxieties that feminism has become just one more arcane theory – stemming from what she perceives to be a majority of cultural feminist writers creating and delivering women’s studies curricula in American universities, containing an alleged anti-male agenda.It is as if she actually doesn’t want to dismiss feminism but rather to take it ‘back’ from whoever she feels has stolen it.Either of these definitions seems possible and the notion of superseding or going beyond has been widely utilised in popular culture, and to some extent in academic discourse.Given that ‘feminism’ remains within the term post-feminism, albeit problematised by the prefix of ‘post’, this illustrates that ‘feminism is portrayed as a territory over which various women have to fight to gain their ground; it has become so unwieldy as a term that it threatens to implode under the weight of its own contradictions’ (Whelehan 2000: 78). Fw-300 #ya-qn-sort h2 /* Breadcrumb */ #ya-question-breadcrumb #ya-question-breadcrumb i #ya-question-breadcrumb a #bc .ya-q-full-text, .ya-q-text #ya-question-detail h1 html[lang="zh-Hant-TW"] .ya-q-full-text, html[lang="zh-Hant-TW"] .ya-q-text, html[lang="zh-Hant-HK"] .ya-q-full-text, html[lang="zh-Hant-HK"] .ya-q-text html[lang="zh-Hant-TW"] #ya-question-detail h1, html[lang="zh-Hant-HK"] #ya-question-detail h1 /* Trending Now */ /* Center Rail */ #ya-center-rail .profile-banner-default .ya-ba-title #Stencil . Bgc-lgr .tupwrap .comment-text /* Right Rail */ #Stencil . Fw-300 .qstn-title #ya-trending-questions-show-more, #ya-related-questions-show-more #ya-trending-questions-more, #ya-related-questions-more /* DMROS */ .Boundaries between the text and the world, the text and the critic, the text and the reader are considered fluid, shifting, and porous.they are located in the world influences how a work is read and what it means.

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