Thus, there appeared taut, slender hieroglyphic forms or sensuous, fleshy ones or even completely bloated characters, according to the art style of the period.), hieroglyphic writing was used for inscribing stone monuments and appears in Egyptian relief techniques, both high relief and bas-relief; in painted form; on metal, sometimes in cast form and sometimes incised; and on wood. The Egyptian writing called hieroglyphics used pictures to represent different objects, actions, sound or ideas. It depends on which way the people or animals are facing. Write like an Egyptian, see you name in hieroglyphs How do we know how to read hieroglyphics ? Hieroglyphics uses small pictures which represent the sound of the object or an idea associated with the object. You need to look closely at the hieroglyphs to find out.There was no lack of attempts to replace the hieroglyphic writing, cumbersome and ever more divergent from the spoken language, with the simpler and more convenient Greek script.Such experiments, however, remained ineffective precisely because of the emotional value that the old writing system had when the country was under the foreign domination of the Macedonian Greeks and the Romans.For example, if an animal hieroglyph faces right, you read from right to left.If it faces left, you read from left to right (the same way that we do).Under Greek and especially under Roman rule, the knowledge declined and was entirely confined to temples where priests instructed their pupils in the study of hieroglyphic writing.From the time of the rule of the Ptolemies (305 to 30 ), national consciousness became more and more narrowly bound up with religion, and the tradition-filled hieroglyphic writing was an outward sign of pharaonic civilization—in the fullest sense, a symbol.Our editors will review what you’ve submitted and determine whether to revise the article.Join Britannica's Publishing Partner Program and our community of experts to gain a global audience for your work! Although definite traditions or conventions were quickly formed with respect to the choice of perspective—e.g., a hand was depicted only as a palm, an eye or a mouth inscribed only in front view—the proportions remained flexible.