Mc Carthy uses colour imagery to describe how grey, pale and miserable everything was.
He uses “carrying the fire “which represents people who have a flame of humanity left alive in their hearts.
At first, Sal thinks of the East as intellectual, wrapped in the old, stultifying, and the West as open, uninhibited, and new.
Similarly, he is bored with his Eastern intellectual friends and infatuated with Dean, the free Western spirit.
What makes the relationship between the boy and his father so powerful and poignant? How do they maintain their affection for and faith in each other in such brutal conditions? Does it provide closure, or does it prompt a rethinking of all that has come before?
Why do you think Cormac ends the novel with the image of trout in mountain streams before the end of the world—"In the deep glens where they lived all things were older than man and they hummed of mystery" [p.
How is the boy able to retain his compassion—to be, as one reviewer put it, "compassion incarnate"? Why does the father say about his son, later in the same conversation, "What if I said that he's a god? To what destination are the man and the boy journeying? What, if any, is the symbolic significance of their journey?
The sardonic blind man named Ely who the man and boy encounter on the road tells the father that, "There is no God and we are his prophets" (p. Cormac's work often dramatizes the opposition between good and evil, with evil sometimes emerging triumphantly.
The novel reduces all human and natural life to the In the novel, The Road, Cormac Mc Carthy illustrates the expressions, settings and the actions by various literary devices and the protagonist’s struggle to survive in the civilization full of darkness and inhumanity.
The novel reduces all human and natural life to the condition of savagery and temporary survival.